Another day, another event. Yesterday, Timmy attended the New York Film Critics Circle awards where he also accepted the award for Best Actor. You can see images in the gallery. W Magazine has also listed some of the best performers of last year and Tommy is included along with another photoshoot image. He has also been nominated for a BAFTA Rising Star award. You can vote for him here if you’re in the UK.
Timothée has been very busy promoting ‘Call Me By Your Name’ and has attended several events, including the GQ Men of the Year party, NY Times Great Performers celebration and several others. You can see images from all these events in the gallery along with a new photoshoot for teh NY Times and a still from The Cannibal. Thanks goes again to my friends over at I Heart Saoirse for some of these.
There are couple new interviews out by Vanity Fair and Film School Rejects, so check those out. Some excerpts below, as usual. I have also updated the gallery with images from The Late Late Show with James Corden a few photoshoots.
In many ways, the depth of the film’s love story depends on Chalamet’s ability to convey an unpredictable stream of teenage emotions—restlessness, lust, sensitivity, surliness—as his relationship with Hammer’s character blooms. When Guadagnino (I Am Love, A Bigger Splash) first heard of Chalamet—from agent Brian Swardstrom—the filmmaker had already spent seven years trying to get an adaptation off the ground. Chalamet, who was 17 when he met Guadagnino, had just wrapped a recurring role on Showtime’s Homeland as Finn Walden, the troublemaker son of the vice president (Jamey Sheridan). But it wasn’t the actor’s résumé that impressed Guadagnino when they met for breakfast.
“I saw an incredibly articulate, bright, smart, artistically ambitious young man, someone who not only had a sense of self that was completely un-narcissistic but had ambition to make sure his art as an actor was shining on-screen,” Guadagnino said. Vanity Fair
Can you please tell me about your sleepover parties with James Ivory?
He’s a giant of cinema. Howard’s End, The Remains of the Day, A Room with a View, Maurice. There was a night I stayed with him and we watched Maurice together. He kind of dissected the film for me and drew out the similarities between that film and Call Me By Your Name. It would be a treat for any actor, but especially for a young actor to be around such a pioneer of filmmaking with that Merchant/Ivory catalog. Film School Rejects
Timmy has been busy lately promoting ‘Call Me By Your Name’ and as part of the promotion, he attended the Late Night With Jimmy Fallon show yesterday evening. You can see a portion of his interview below. He also gave print interview for several news outlets such as IndieWire and The LA Times. You can read the full interviews at the links and some snippets below. I have also updated the gallery with several new photoshoots and some images from the ‘Call Me By Your Name’ premiere and after party.
Long before Timothée Chalamet turned 18, he was itching to be considered an adult. By age 10, he was riding the subway alone, a city kid growing up in Hell’s Kitchen, Manhattan. At 16, he landed a major role on Showtime’s “Homeland,” playing the vice president’s overly entitled son. A year later, he was admitted to Columbia University at 17 years old.
That was also how old Chalamet was when he was cast in his first big studio movie, “Interstellar.” The film was slated to shoot in Canada, and the teenager had no interest in bringing his parents along as his legal guardians. So he looked online and found a loophole in the California state law that said “for films made by production companies based out of the West Coast, if you have a high school degree and are over 16 then you can travel alone,” Chalamet explained. The La Times
In kindergarten, Chalamet was a lukewarm commercial actor. His “first moment of passion” for the craft came at age 12, seeing Heath Ledger’s Joker in “The Dark Knight.” “I just had no clue what was going on in his head, and I thought it was the coolest thing in the world,” said Chalamet, holding his perfect trapezoid of chin. It is a Tuesday afternoon at the Sunset Tower Hotel in West Hollywood, and we’re overlooking the rooftop pool.
Once enrolled at LaGuardia (alongside Ansel Elgort and Grace Van Patten), Chalamet later told Columbia University’s student newspaper, Bwog, that he no longer regarded acting as a “machine of fakeness.” Through his mom — a councillor for the Actors’ Equity Association’s governing body — teenage Chalamet caught Philip Seymour Hoffman as Willy Loman in the Broadway production of “Death of a Salesman,” directed by Mike Nichols. Last year, “Doubt” screenwriter John Patrick Shanley handpicked Chalamet to star as a younger version of himself in the Manhattan Theatre Club production of “Prodigal Son.”
Chalament said he identifies as “a theater guy.” Until that Tuesday night in October, “A film experience has never really translated to a theater experience for me,” he said. At the conclusion of “Call Me by Your Name,” a spotlight lit up the balcony. “It very much felt like, weirdly, a play,” Chalamet said. The crowd gave the actors and filmmaker a 10-minute standing ovation, the longest recorded in the festival’s 55 years. IndeWire
Timothée attended several events these past few days for both ‘Call Me By Your Name’ and ‘Hostiles’ and you can see images from those in the gallery along with some new photoshoot images and magazine scans.
And according to Desert Sun, Timothée will also be awarded the Rising Star award at the Palm Springs Film Festival on January 2.
Chalamet, who turns 22 on Dec. 26, is primarily receiving his award for his acclaimed performance in “Call Me By Your Name,” a Luca Guadagnino film with an adapted screenplay by James Ivory.
Chalamet also is featured in two other films receiving awards buzz. He plays an army private helping to escort a Cheyenne chief and his family through a dangerous part of the Old West in Scott Cooper’s “Hostile,” starring Rosamund Pike and Christian Bale. He plays a boy giving Saoirse Ronan’s lead character her first sexual experience in Greta Gerwig’s “Lady Bird.” The latter was nominated for audience awards at the Mill Valley and Gotham Independent Film Awards festivals while “Hostile” was the opening night film of the recent AFI Fest.