Timothée was spotted on set of his upcoming Netflix movie ‘Don’t Look Up’ yesterday. You can see some images in the gallery. Also, apparently he’s going to be featured in a Cadillac commercial for Super Bowl, playing Edward Scissorhands’ son, so look out for that as well.
According to Deadline, Luca Guadagnino is planning on casting Timothée in his upcoming horror movie ‘Bones & All’, which is described as ‘a horror love story’.
The Call Me By Your Name team finally might be reuniting. Sources tell Deadline that Timothée Chalamet and Luca Guadagnino are eyeing a new movie and bringing Taylor Russell along for the ride. Chalamet and Russell are in talks to star in Bones & All with Guadagnino directing. Dave Kajganich penned the script. No start date has been set.
Not much is known about the project other than it being a horror-love story revolving around Chalamet and Russell’s characters. The package already is gaining steam as sources add that multiple bidders are interested.
The Manhattan Theatre Club is showing some clips and commentary of ‘Prodigal Son’ with Timothée and playwright John Patrick Shanley on their YouTube page. It will premiere tomorrow, Thursday, January 21. See the video live below.
Timothée made his first appearance on ‘Saturday Night Live’ last night. You can see screencaps, screen cards and stills from that in the gallery and some videos below (from SNL’s official YouTube).
‘Saturday Night Live’s’ Instagram has released a couple of behind the scenes images of Timmy in rehearsal. You can check them out in the gallery. Timothée will appear on SNL this Saturday, December 12. Edit: You can also see a promo clip below.
According to The Wrap, Warner Bros will release all their 2021 movies on HBO Max and theatres simultaneously. Which means that if the release date satys the same, the ‘Dune’ will be released on HBO Max on October 1, 2021.
Warner Bros. is radically changing up its distribution strategy for 2021, releasing all 17 of its movies for the year in theaters and on HBO Max simultaneously.
Just as “Wonder Woman 1984” will be released on Christmas Day both in theaters and on HBO Max, Warner Bros.’ entire 2021 slate will play on the WarnerMedia streaming service and theatrically worldwide. However, every film will be available for just one month on HBO Max before it leaves the platform, and it will then continue playing theaters with normal distribution windows.
Again, this applies to every movie on Warner’s 2021 slate — though some are still in production and the exact list is subject to change. That includes major tentpoles like “Godzilla vs. Kong,” DC Films’ “The Suicide Squad,” Timothée Chalamet’s “Dune” and Keanu Reeves’ “Matrix 4.”
Document Journal has released their interview with Timmy on their website along with gorgeous new photoshoot images which you can admire in the gallery.
When Chalamet first stepped in front of Hedi Slimane’s lens in 2014, he was all but unknown—the lanky, 17-year-old blueprint of the star he was to become. Today, Chalamet is one of the most recognizable faces in cinema, with projects running the gamut from period dramas to sci-fi epics. In David Michôd’s The King, he was the reluctant heir to the English throne; in Greta Gerwig’s remake of Little Women, he breathed life into the boyish, lovesick Laurie, while her solo directorial debut, Lady Bird, saw him assume the ostentatiously suave posture of the dirtbag boyfriend; and in Felix Van Groeningen’s biographical drama Beautiful Boy, he depicted the emotional turbulence of a teenage meth and heroin addict’s painful path towards recovery—one that feels all the more heart-wrenching in the midst of America’s opioid crisis.
In the years since his rapid ascent, Chalamet has made a point to establish himself as an artist first and foremost, taking on unconventional roles in independent projects. But when he and Slimane reunited in Saint-Tropez, Chalamet had just emerged from shooting his first major studio film, Denis Villeneuve’s reboot of the sci-fi epic Dune, a story that has renewed relevance in our political moment. “The battle of tribes and cultures [in Dune] is unfortunately extremely pertinent to the world today,” Chalamet tells Document. “I think there are many contemporary parallels with the world we live in.”
Timothée is on one of the covers for Document Journal that comes out in a few weeks. You can see the cover in the gallery.
According to Deadline, Timothée will host ‘SNL’ on December 12 along with musical guest Bruce Springsteen and the E Street Band.
Saturday Night Live is getting ready to wind down after a busy and unusual year and has set Jason Bateman, Timothée Chalamet and Kristen Wiig as its final three hosts of the year.
[…]
It marks the first time that Timothée Chalamet, who is set to star in Wes Anderson’s The French Dispatch and Denis Villeneuve’s Dune, will host the show. Ozark star Bateman returns for his second hosting performance, while former cast member Wiig makes her fourth appearance.
[…]
Bateman and Wallen will appear on December 5, Chalamet and Bruce Springsteen and the E Street Band will appear on December 12, and Wiig and Dua Lipa will appear December 19.
There’s a lengthy new cover issue about Timmy in the new issue of GQ. You can read that at the link, view the photoshoot images in the gallery and see a short behind the scenes video about the shoot below.
The day after the Oscars in 2018, everything that had changed, changed back again. Timothée Chalamet had spent the previous months becoming known. He had acted in a film, Call Me by Your Name, which was critically acclaimed as well as an instant object of cultish admiration—and his performance had made him, at 22, the youngest person nominated for best actor in 80 years. He had, simultaneously, been transformed into the rarest of pop confections—fawned over by younger women, older men, and every demographic in between. And he had traveled without pause on the awards circuit since early autumn, back and forth from New York and Los Angeles, practically living out of the first-class lounge and the lobbies of the Bowery Hotel and the Sunset Tower.
