High quality screen captures of Timothée in Little Women have been added to the gallery.
The official Twitter page for ‘The French Dispatch’ has released a poster for the movie, which you can see at the link. And also, The New Yorker has released a couple of stills from the movie. You can see the one featuring Timmy in the gallery. The caption on their page also states that his segment of the film is “inspired by “The Events in May: A Paris Notebook,” Mavis Gallant’s two-part article from 1968.”
According to Collider, ‘The French Dispatch’ will open in cinemas on July 24, 2020. You can read more at Collider and see a poster for the movie (which doesn’t feature any actors).
Be on the look-out for pastels and whimsy this summer, as Searchlight Pictures has officially set a release date for Wes Anderson‘s new movie, The French Dispatch. The hyper-symmetric auteur will bring his latest film to theaters on July 24, 2020, and he’s bringing one heck of an ensemble with him.
The studio confirmed today that, in addition to Anderson regulars Bill Murray, Owen Wilson, and Adrien Brody, The French Dispatch also stars Benicio del Toro, Tilda Swinton, Lea Seydoux, Frances McDormand, Timothee Chalamet, Lyna Khoudri, Jeffrey Wright, Mathieu Amalric, and Stephen Park. Prior reports of the film being a musical turned out to be false—and it’s not four hours long, either—and for a while the only synopsis we had painted the story as “A love letter to journalists set at an outpost of an American newspaper in 20th century Paris and centers on three storylines.”
According to Deadline, Timothée will be starring in ‘Going Electric’, a Bob Dylan biopic from ‘Ford v Ferrari’ director James Mangold.
Searchlight Pictures has closed a deal with Ford V Ferrari helmer James Mangold to direct Timothée Chalamet as the young Bob Dylan, during the period when he was poised to become folk music’s most seminal figure. When Dylan instead embraced rock n roll and traded his acoustic guitar for an amp and an electric guitar, it created a huge outcry. And it cemented the status of rock music. Dylan is working actively with Searchlight and Mangold on the film, which the studio said is untitled but has been referred to around town as Going Electric.
Negotiations are underway with Chalamet, who has gotten strong reviews for Little Women, and who next will make his London stage debut opposite Eileen Atkins in 4,000 Miles, the Old Vic production of Amy Herzog’s Pulitzer-nominated drama.
I am not sure if he will sing Dylan’s great songs. But I’ve heard that Chalamet is already taking guitar lessons so he can familiarize himself with the acoustic and electric guitar.
According to a French newpaper called Charente Libre viaIndeWire, director Wes Anderson spoke a little about the upcoming ‘The French Dispatch’. You can read the whole thing at the link and some highlights below.
Up until now, all that has been known about “The French Dispatch” plot is that the film is a “love letter to journalists set at an outpost of an American newspaper in 20th-century Paris.” Anderson said the secrecy around the film has been intentional (“When I shoot I do not want any advertising”), although he was willing to pull back the curtain a bit and explain the story in more detail.
“The story is not easy to explain,” Anderson said. “[It’s about an] American journalist based in France [who] creates his magazine. It is more a portrait of this man, of this journalist who fights to write what he wants to write. It’s not a movie about freedom of the press, but when you talk about reporters you also talk about what’s going on in the real world.”
“I do not know the release date,” Anderson said. “I never know, but I feel [it] could be ready before the end of the year.”
Anderson’s most recent release was last year’s stop-motion film “Isle of Dogs,” which landed an Oscar nomination for Best Animated Feature. Should the film land a 2019 release, it would most likely be at the end of the year during the holiday movie season. More likely is a 2020 release in late winter or spring, which is when “Grand Budapest Hotel” and “Isle of Dogs” opened.
According to IndieWire, Timothée has been cast in Wes Anderson’s next movie, titled ‘The French Dispatch’, in as yet unknown role.
Wes Anderson’s next live-action movie started shooting a week ago under wraps in Southwestern France (Angoulême), where local French papers have reported various sightings.
According to one source close to the production, “The French Dispatch” is a love letter to journalists set at an outpost of an American newspaper in 20th-century Paris and centers on three storylines. As usual the movie features a mighty ensemble including regulars Bill Murray, Frances McDormand, and Tilda Swinton (who currently stars in “Suspiria”) plus newcomers Benicio del Toro, Jeffrey Wright, and Oscar contender Timothée Chalamet (“Beautiful Boy”).
Timothée gave an interview for Inquirer. You can read the whole thing at the link and some excerpts below.
Can you talk about your coming project, “Dune”? I saw on Google that Denis Villeneuve was going to do “Dune.” That was always like “The Dark Knight” by Christopher Nolan. I wanted to act in that film. It has always been my dream to do a big movie. And looking at the careers of Leonardo DiCaprio or Joaquin Phoenix, those guys exclusively work with great directors.
So I always told myself, if you do a big movie, make sure it’s with a really great director. I met Denis at the Hollywood Film Awards last year. I didn’t want to scare him away with my enthusiasm for the project, so I didn’t even bring it up. I just said, “Hi.”
I saw him over the course of last year. They went on a casting search and were looking to get someone younger than I am. I was just biding my time.
Denis saw me in “Call Me by Your Name,” but somebody snuck him a link to “Beautiful Boy.” Then, in the meeting I had with him, he told me he was going to be at the Cannes Film Festival. So he said, “If you will come to Cannes, we can meet and talk about it.”
So, I went to Cannes and then he said, “I saw ‘Call Me by Your Name’ and I thought you were great. I saw ‘Beautiful Boy’ and still thought you were great, but then I saw you take in ‘The King’ and I thought OK, whatever.” Which is funny to me because I hadn’t done it yet during that time and hopefully it’s presentable, but who knows?