Timothée was also on The Tonight Show With Jimmy Fallon last night. You can see the interview video below and some episode stills in the gallery.
Timothée gave an interview for Time Out Magazine. You can read it at the link with some snippets being posted below. It is accompanied by a new photoshoot which you can see in the gallery.
Every movie you do seems to be huge, though. Doesn’t that ever get overwhelming?
‘I’d rather be stressed out over how much work I’m doing than sitting in an apartment on 163rd Street and Grand Concourse in the Bronx, waiting for the phone to ring. Or taping an audition for “The Neon Demon” that I rehearsed for a week and sent in, and they didn’t respond. Or for “The Theory of Everything” or “Miss Peregrine’s Home for Peculiar Children”.’
Have you gone all Hollywood and got a stylist?
‘I hear about celebrities who have stylists, and that blows my mind. It’s certainly not why I act, but I can wear cool clothes from some of the nicest designers in the world. [So why] am I going to pay someone to figure out what I should be wearing? That’s the fun part.’
What’s the most starstruck you’ve ever been?
‘It might have been Matthew McConaughey when I met him on “Interstellar”. He just oozes movie-star qualities. He’s so confident and rugged. And similarly with Christian Bale when I met him on “Hostiles”. I remember him asking me to repeat my name so he could hear it better and commit it to memory. My voice got caught in my throat, not really being able to get it out, thinking: Why, for the first time in my 20 years on this planet, is my mouth not following what my brain wants it to?’
Timothée gave an interview for Inquirer. You can read the whole thing at the link and some excerpts below.
Can you talk about your coming project, “Dune”? I saw on Google that Denis Villeneuve was going to do “Dune.” That was always like “The Dark Knight” by Christopher Nolan. I wanted to act in that film. It has always been my dream to do a big movie. And looking at the careers of Leonardo DiCaprio or Joaquin Phoenix, those guys exclusively work with great directors.
So I always told myself, if you do a big movie, make sure it’s with a really great director. I met Denis at the Hollywood Film Awards last year. I didn’t want to scare him away with my enthusiasm for the project, so I didn’t even bring it up. I just said, “Hi.”
I saw him over the course of last year. They went on a casting search and were looking to get someone younger than I am. I was just biding my time.
Denis saw me in “Call Me by Your Name,” but somebody snuck him a link to “Beautiful Boy.” Then, in the meeting I had with him, he told me he was going to be at the Cannes Film Festival. So he said, “If you will come to Cannes, we can meet and talk about it.”
So, I went to Cannes and then he said, “I saw ‘Call Me by Your Name’ and I thought you were great. I saw ‘Beautiful Boy’ and still thought you were great, but then I saw you take in ‘The King’ and I thought OK, whatever.” Which is funny to me because I hadn’t done it yet during that time and hopefully it’s presentable, but who knows?
‘Beautiful Boy’ premiered at the Toronto International Film Festival last night and Timothée was in attendance. You can see images from the premiere and after party in the gallery. He also attended the IMDb studios earlier in the day and you can see images from that in the gallery as well, along with a video here or below. Some reviews have also popped up and you can read some highlights below.
In these scenes and others that find him lashing out at his astonished father, Chalamet once again illustrates an uncanny ability to merge with whatever the material demands of him. A far cry from the sexually adventurous teen of “Call Me By Your Name” or the obnoxious boyfriend of “Lady Bird,” he buries his hunky features under a messy mop of hair and a malleable expression. His face is a Roschach test of emotions, melting from grimace to eerie smirk as the character contends with the invisible processes of a shattered brain.
No matter how many times you look at Timothée Chalamet’s face, it always surprises you. He’s the rare actor you could call handsome and beautiful at the same time, and his pale stretchy features seem to wrap themselves around the emotions he’s feeling — or, in this movie, the lies he’s telling. In “Call Me by Your Name,” Chalamet had a marvelous directness, but in “Beautiful Boy” he’s transformed — he makes Nic, in his muffled millennial James Dean way, skittery and self-involved to the point of being a little disconnected.
The film is most interesting when it simply provides the opportunity to watch Chalamet. In his clean interludes, Nic is a lovely kid in every way; you’d never suspect there was a demon hiding inside him that would periodically take control of the slim body housing it. But then, of course, actors love the opportunities to go deep into madness and obsession. Chalamet is no exception but, in truth, he’s more exasperating and not as interesting in hooked mode as he is as a promising bright young thing. This guy should stay clean.
As for Chalamet, he continues to be one of the most exciting young actors working today. He plays Nic not like a caricature of an addict, but someone with a unique history and specific personality that’s being drowned by his drug habit.
EW, who released a new still from ‘Beautiful Boy’ just a few days ago, now also have a short new interview up with Timmy talking about the challenges of playing Nic Sheff. You can read the interview at the link above and a few choice excerpts here.
Rather than provide a neat arc toward recovery — as Hollywood has tended to do — Boy is propelled by relapses, estrangements, death scares, and the increasingly difficult decisions Nic’s family needs to make for his care.
Chalamet concedes that the atmosphere on set was “intense” given the material, but he also describes it as “dutiful.” “[It was] more a devotion to getting this story right,” he explains. “With high emotional family stakes at play, you feel a responsibility to the actual story…. We tried to capture someone in the throes of addiction, caught between, addled.”
The difference in years of experience between them wasn’t lost on Chalamet, who describes Carell’s work as “always honest and real.” He gushes, particularly, about the “moment to moment consistency” of Carell’s performance, from which he realized the importance of “letting things come to you in scenes, and not the other way around.” Yet Chalamet had a larger takeaway from observing his screen partner. “It was also the way [Steve] carried himself on set,” he explains. “He has this kind of incredible combination of humanity and professionalism, it makes you want to be around him and work with him.”
Yesterday’s CinemaCon featured Timothée through a satellite connection, talking about ‘Beautiful Boy’. They also debuted a new clip from the film, which we’ll sadly probably have to wait a long time to see. But you acn read a description of it here and see a few images in the gallery.
Timothée and “Call Me By Your Name” co-star, Armie Hammer appeared on 304th Episode of The Empire Film Podcast. Their segment starts at 15:09 -40:22. Listen below!
Awards season is over and Timothée attended the last of the shows this past weekend. First up was the Independent Spirit Awards where he won the awards for Best Actor and also presented one to the Best Support Actor. Next up was the Academy Awards. Sadly, he didn’t win it, but I’m sure he will have many more nominations in the future. You can see all the event images in the gallery and see a few videos below.