Timothée, Taylor and Luca grace the cover of the new Variety. You can read the article at the link and see the images in the gallery.
Timothée is on the cover of the October issue of British Vogue. You can see the covers and the photoshoot in the gallery and read the article here.
Deadline has a feature on ‘Dune’ with new photoshoot images of the cast. You can read a short snippet of the interviews at the link and see the images in the gallery.
Entertainment Weekly has a new feature on ‘Dune’ which is accompanied by some great new photoshoot images which you can see in the gallery.
Villeneuve signed on to direct Dune in January 2017, just about a week after earning a Best Director Oscar nomination for Arrival. This did not escape the attention of then up-and-coming actor Timothée Chalamet, who made the most of the fact that he and Villeneuve each had movies on the awards circuit (Call Me by Your Name and Blade Runner 2049, respectively) later that year.
“Every room I was in with him, I’d try to put myself in his eyeline or just try to make him familiar with me,” Chalamet, 25, recalls. “He hadn’t seen Call Me by Your Name yet, but once he did he asked me to come meet him at the Cannes Film Festival where he was president of the jury, which did not feel casual at all. So I went out there and just had one of the coolest meetings ever with him, where I felt he was already treating me as a potential collaborator.”
Timothée was interviewed for Time magazine while he was in the US for the MET Gala. You can read it here and see a couple of accompanying photoshoot images in the gallery.
Timothée was a guest editor for Chinese magazine Vogue Plus recently. You can see some photoshoot images below and a short video at this link.
Document Journal has released their interview with Timmy on their website along with gorgeous new photoshoot images which you can admire in the gallery.
When Chalamet first stepped in front of Hedi Slimane’s lens in 2014, he was all but unknown—the lanky, 17-year-old blueprint of the star he was to become. Today, Chalamet is one of the most recognizable faces in cinema, with projects running the gamut from period dramas to sci-fi epics. In David Michôd’s The King, he was the reluctant heir to the English throne; in Greta Gerwig’s remake of Little Women, he breathed life into the boyish, lovesick Laurie, while her solo directorial debut, Lady Bird, saw him assume the ostentatiously suave posture of the dirtbag boyfriend; and in Felix Van Groeningen’s biographical drama Beautiful Boy, he depicted the emotional turbulence of a teenage meth and heroin addict’s painful path towards recovery—one that feels all the more heart-wrenching in the midst of America’s opioid crisis.
In the years since his rapid ascent, Chalamet has made a point to establish himself as an artist first and foremost, taking on unconventional roles in independent projects. But when he and Slimane reunited in Saint-Tropez, Chalamet had just emerged from shooting his first major studio film, Denis Villeneuve’s reboot of the sci-fi epic Dune, a story that has renewed relevance in our political moment. “The battle of tribes and cultures [in Dune] is unfortunately extremely pertinent to the world today,” Chalamet tells Document. “I think there are many contemporary parallels with the world we live in.”